Meschiya Lake (English version)
Looking back, it’s no surprise
that when a precocious nine year-old Meschiya Lake hit the stage for a singing
contest at a Rapid City, South Dakota steakhouse, she already believed that she
could hold her own with the best of them. She had been singing around the
house, and competing against adults who thought she was “cute” didn’t
intimidate her. When she won the contest – which came with $500 prize and a
weekly in-house singing gig – it made sense that – in some form or another –
the groundwork for a career had been laid, even if she didn’t realise it at the
time. For several more years singing for fun and joy continued to trump music
as vocation for Lake, but it was only in her early twenties during her stint as
a member of the Know Nothing Family Zirkus Zideshow and End of the World Circus
– a ragtag traveling troupe that blended traditional circus arts with modern
sideshow entertainment – that she ultimately realised exactly what she wanted
to do as an adult.
Nights were spent wearing
ridiculous costumes, eating bugs, munching glass, and dancing around the stage
while twirling flaming nunchucks, Strange, ridiculous, beautiful and
life-changing, it was the best job she had ever had. Lake was fascinated by the
nomadic lifestyle and loved the camaraderie amongst the players and the
connection they’d make to the audiences in small towns that didn’t know these
sorts of things were possible.
The circus schedule of six months on, six months off ultimately brought Lake to New Orleans for a prolonged stretch of downtime. After driving alone for an entire day to make it to the city and meet up with her cohorts, Lake stopped in the French Quarter to locate her friends and was struck immediately by an overpowering sense of timelessness. It was her first visit, and just like picking up a microphone for the first time decades earlier, she instantly felt the city’s call to things that are different, slightly odd. Without meaning to, she had found her home base for the next eighteen years.
The circus schedule of six months on, six months off ultimately brought Lake to New Orleans for a prolonged stretch of downtime. After driving alone for an entire day to make it to the city and meet up with her cohorts, Lake stopped in the French Quarter to locate her friends and was struck immediately by an overpowering sense of timelessness. It was her first visit, and just like picking up a microphone for the first time decades earlier, she instantly felt the city’s call to things that are different, slightly odd. Without meaning to, she had found her home base for the next eighteen years.
After “running away” from the
circus, and employing a myriad of jobs, from building the Burning Man
festival to forklift driving at cranberry harvest, Lake was searching to, once
again, make music her bread and butter. In 2007, this life change found
her by way of traditional jazz outfit, complete with dancers, The Loose
Marbles. This ragtag group of busking street performers originally set up
camp on Royal Street in New Orleans. From there they created a residency
in New York City’s Washington Square Park, the gateway to what would become Ms.
Lake’s next stomping ground, Europe. Affectionately referring to this
time in her life as “jazz boot camp”, she began to build her now
extensive repertoire, and learned several life lessons, including, but not
limited to, don’t date the band leader, Be the bandleader. A year later, she
did just that, creating the Little Big Horns Jazz Band.
Now steadfastly at the helm of
her own musical battleship, things moved fast and far for Ms. Lake. The
year 2010 saw their debut album, Lucky Devil, and the beginning of a decade’s
worth of accolades, tours, and awards. From the stages of Lincoln Center
in NYC, to Brazil, Canada, Denmark, The Netherlands, Italy, Russia, the U.K.,
and Ireland, she’s shown people to express love of life through music and
dance. This passion, seemingly tireless energy, and expert skill has garnered
much praise, from NPR’s top ten albums of 2010, to First Lady of Jazz 2013, at
the Sun Valley Jazz Festival. But most importantly, back at home in New
Orleans, Lake was recognised as Female Performer of the Year, three years
running, at the Big Easy Awards, was named Best Female Singer in Offbeat
Magazine’s Best of the Beat poll in 2013 and 2014, and in 2013 the Little Big
Horns were honored with the Best of The Beat’s coveted Best Trad Band award.
Along the way, Meschiya’s found the time to record, write, and produce
another two albums with the Big Horns, Foolers’ Gold, and Bad Kid’s Club, as
well as work in the studio as a vocalist with musicians like Alec Ounsworth of
Clap Your Hands Say Yeah, as well as singing for a gentleman by the name of Tom
Waits.
Meschiya Lake has come a long
way since her South Dakota Opry and traveling circus days, and she’s not done
yet. In fact, far from it. Relocating to Europe in the summer 2018,
and joining forces with the already established, stunningly talented Dizzy
Birds, of Berlin, Ms. Lake and company will be, once again, setting the bar
exceedingly high for our standards of musician and showmanship, jazz, and
joy
Five Questions with Meschiya Lake on her move to
Cork, Ireland
May 30, 2018 by Stacey Leigh
Bridewell
Chanteuse Meschiya Lake-Härm
is bidding a fond farewell to New Orleans after 18 years. She was the
figurehead, the homing beacon for the zeitgeist of the Frenchmen Street trad
scene and will be sorely missed. She played her last regular gig at the Spotted
Cat on May 1 and has since set off to her new home in Ireland.
What made
you decide to leave New Orleans?
I’ve been here 18 years so not
just one thing could make me make the decision. I married a European man, gave
birth to a daughter, and then Donald Trump got elected. I used to think New
Orleans is the only place in the United States that I can live and that’s
definitely true. But with the current political climate and having a baby girl,
there are social systems in Europe that can be offered to her. Also, she’ll
have a U.S. passport and an Irish passport so she’ll just have more options.
We’ve got a five-bedroom Georgian house that’s gonna end up costing less than
the two-bedroom house I have on St Claude! Five bedrooms, three baths, and a
bidet! It’s unbelievable.
Why Ireland?
I’ve visited there a few
times. My husband moved here from there. In the year before we were married I
went there often to visit him. It’s a beautiful place and it’s got the nicest
people you’ll ever meet. It’s also very musical. We’re gonna be in County Cork
about fifteen minutes from Cork City which has a great little arts and music
scene.
Do you plan
to continue singing?
I won’t get to be in my new
home for six weeks. I’m starting out with a six-week tour of Europe. I’m gonna
be working primarily with a band out of Berlin called Dizzy Birds. We’re going
to do a tour of Holland and then Ascona Jazz Festival. I am going to be playing
the Cork Jazz Festival, but I don’t have anything regular in Ireland and I’m
kinda looking forward to that because I just want to be around my kid more.
What will
you miss the most about New Orleans?
I will miss my family the
most. The people. Because those are the things that aren’t replaceable.
Material things are replaceable and they have lots of material things in other
countries, but they don’t have the people.
Will you
come back?
I will be coming back. My last
gig at the Spotted Cat, the owners Doug and Bill gave me money to come back
next spring. So my ticket is already bought! I’ll also come back in September
to get my puppy dog and a few things.
Discography
Bad Kids Club 2015
Foolers’ Gold 2013
Lucky Devil 2010
Live at Chicky Wah Wah 2012 with Tom Mc Dermott
Meschiya Lake will play in Sorges, Périgord for the
Festival des Musiques de la Nouvelle Orléans (MNOP) on Saturday, July 12th,
don’t miss her !
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