The Marsalis Clan
Multi-generational jazz families were once the rule in New Orleans. As jazz
evolved from its origins to incorporate new forms and techniques, and to
attract players and listeners from around the US and the world, both the
tradition of making the music a family affair and the central role of New
Orleans in the music’s progress were overshadowed. How fitting, then, that over
the past two decades, a new wave of interest in and appreciation of jazz music
has been spearheaded by another New Orleans family, the Marsalises. With father
Ellis as mentor, older brothers Branford and Wynton as leaders of a new
generation, and younger siblings Delfeayo and Jason as rising stars, the
Marsalis clan has been acclaimed through the individual recordings,
performances, compositions, and educational efforts of its members.
Until a tribute concert for Ellis in
August 2001, however, these extremely talented musicians had not joined
together in a single ensemble. The success of that evening, which has been
documented in a PBS special and a Marsalis Music compact disc, inspired the
family to set aside time in their busy schedules so that they could continue
the partnership in a series of special performances that are sure to be among
the concert highlights of the year.
Pianist Ellis Marsalis was born
on November 13, 1934. After graduating from Dillard University and serving in
the Marine Corps, he chose to pursue a career as a modern jazz musician in New
Orleans, a city where virtually all of the attention was directed toward more traditional
and popular styles. As a founding member of the American Jazz Quintet, Ellis
and equally visionary contemporaries including clarinetist Alvin Batiste,
saxophonist Harold Battiste, and drummer Edward Blackwell charted new
directions for jazz in New Orleans in the 1950s. At the same time, and for the
next quarter-century, Ellis provided for his family by holding down more
commercial jobs, including leading the house band at the Playboy Club, working
in the combo of trumpeter Al Hirt, and teaching music at the high school level.
In 1974, he became the director of Jazz Studies at the New Orleans Center for
Creative Arts, an arts high school that drew talented young musicians from all
over the city. Among the students who received the benefits of Ellis’
instruction are Terence Blanchard, Harry Connick, Jr., Donald Harrison and
Nicholas Payton, as well as his own children. After his sons achieved success
in the 1980s, the wider world belatedly discovered Ellis’ talents as both
musician and educator. He began recording, most often in a trio context, and
extended his teaching efforts to the college level. It was at the concert
marking his retirement from a faculty position at the University of New Orleans
that Ellis Marsalis and Sons gave its first public performance.
Saxophonist Branford Marsalis,
the eldest of Ellis and Dolores Marsalis’ six sons, was born on August 26,
1960. He studied at NOCCA and at Berklee College in Boston before leaving
school to tour with the big bands of Art Blakey, Lionel Hampton and Clark
Terry. After a brief stay in Blakey’s legendary Jazz Messengers in 1981, where
his brother Wynton already occupied the trumpet chair, Branford joined Wynton’s
original quintet and remained for three years, a period during which he also
toured and recorded with Miles Davis and Herbie Hancock. Branford released his
first recording as a leader in 1984 and organized his own quartet in 1986. The
most eclectic of the Marsalises, Branford has performed with Sting and the
Grateful Dead, served as musical director of The Tonight Show with Jay Leno,
led the electric, hip-hop influenced band Buckshot LeFonque, and collaborated
with classical orchestras and chamber ensembles. He has also taught at Michigan
State University, and currently teaches at San Francisco State. Throughout
these diverse activities, Branford has maintained his quartet, which continues
to perform worldwide. After nearly two decades as a Columbia recording artist,
he launched his own Marsalis Music label and in August 2002 released Footsteps
of Our Fathers, his tribute to Ornette Coleman, Sonny Rollins, John Coltrane
and the Modern Jazz Quartet.
Trumpeter Wynton Marsalis, born
October 18, 1961, has become the most widely heralded and influential jazz
musician of his generation. A recognized talent in both the jazz and classical
fields from his youth, Wynton followed his years at NOCCA with studies at
Tanglewood and Julliard, leaving the latter in 1981 to tour with Art Blakey’s
Jazz Messengers and Herbie Hancock. In that same year he formed his first band,
featuring his brother Branford. Subsequent small bands under Wynton’s
leadership include a quartet with pianist Marcus Roberts, and a septet that
toured most recently in 2001. The ’90s found Wynton devoting most of his time
to Jazz at Lincoln Center, where he has served as Artistic Director since the
program’s founding in 1987, and where he has led the Lincoln Center Jazz
Orchestra on national and international tours for the past decade. Wynton has
also been heralded as a composer, and in 1997 became the first jazz artist to
receive a Pulitzer Prize for his extended work Blood on the Fields. He is an
equally committed and tireless educator, and has made a great impact with his
NPR series Making the Music and his PBS series Marsalis on Music, as well as
through the countless workshops he has conducted around the world. His jazz and
classical performances, and those of the Lincoln Center Jazz Orchestra, have
been extensively documented on Columbia recordings.
Delfeayo
Marsalis, born July 28, 1965, has made an impact as both a trombonist and a
recording producer. While at Berklee College, he devoted the bulk of his
studies to studio production, and was soon producing albums for his father and
brothers as well as artists including Terence Blanchard, Harry Connick, Jr.,
Mingus Dynasty, Courtney Pine, Marcus Roberts and Jeff “Tain” Watts. His
trombone has been heard most prominently with drum legend Elvin Jones’ Jazz
Machine, as well as on recordings by Ruth Brown, Wycliffe Gordon, Al Grey and
Donald Harrison, and his own efforts for the Novus and Evidence labels. In
recent years, Delfeayo has expanded his interests to include theater, and he
has founded a theater company in New Orleans.
His father and brothers will tell you that drummer Jason Marsalis, born March 4, 1977, is the most precociously
talented member of the entire family. Jason received schooling from his father
both at NOCCA and on the bandstand, where he has appeared for the past decade
as a member of Ellis’ trio. Other important associations for Jason include his
prominent role in the trio of Marcus Roberts and his efforts as a founding
member of Los Hombres Calientes. Currently, Jason leads his own band, which has
recorded two albums for the Basin Street Jazz label.
The Marsalis
Family - The Marsalis Family: A Jazz Celebration
The Crescent City’s most celebrated jazz family led by the patriarch, Ellis
Marsalis, has
recorded together for the first time. What may be the most eagerly anticipated family
affair in jazz history, The Marsalis Family: A Jazz Celebration, was released on
Marsalis Music on February 4, 2003. The album features all of the music-making
Marsalises - father Ellis on piano and sons Branford (tenor and soprano saxophones),
Wynton (trumpet), Delfeayo (trombone) and Jason (drums) - along with bassist Roland
Guerin and a special guest appearance by Harry Connick Jr.
Over the years, many attempts have been made to bring this illustrious family together. It was not until August 4, 2001 that schedules and the alignment of the stars allowed the Marsalises to join forces on one bandstand. The occasion was a concert marking Ellis’ retirement from teaching duties at the University of New Orleans, and the school’s establishment of a chair in his name. Before a packed house in the Kiefer UNO Lakefront Arena, the Marsalis family members were so inspired by each other’s
presence that, as Delfeayo puts it; the performance ʺreflected our family collectively and individually.ʺ
The center of attention is Ellis, the brilliant pianist, composer and educator who
spawned both a family of jazz giants and (through his example and his teaching)
several generations of young and influential jazz artists.
But Ellis is not the only family member who shines on The Marsalis Family: A Jazz
Celebration. Youngest son Jason provides sympathetic percussive support throughout,
stepping forward with a subtle, lyrical drum solo on the trio feature ʺThe Surrey with
the Fringe on Top.ʺ Delfeayo’s trombone is featured in a limber nod to Duke Ellington
and Ellington trombonist Tyree Glenn on ʺSultry Serenade.ʺ Branford and Wynton turn
Branford’s blues ʺCain and Abelʺ into a hearty, heated two-part invention. And all four
brothers, plus stalwart bassist Roland Guerin, join their father on four tracks, including a salute to Louis Armstrong on ʺStruttin’ with Some Barbecue.ʺ
Also performing at the concert and included on the CD is one of Ellis’ most illustrious
students, Harry Connick, Jr. Connick performs ʺSt. James Infirmaryʺ with trombonist
Lucien Barbarin and joins Ellis and sons for the spirited ʺTwelve’s It.ʺ
Branford Marsalis sums up the results by noting that ʺEverybody came to play the
music as well as they possibly could play it.ʺ The spirited results, by turns fiercely
swinging and deeply lyrical, confirm that the company and the occasion elevated each
family member to new levels of eloquence.
recorded together for the first time. What may be the most eagerly anticipated family
affair in jazz history, The Marsalis Family: A Jazz Celebration, was released on
Marsalis Music on February 4, 2003. The album features all of the music-making
Marsalises - father Ellis on piano and sons Branford (tenor and soprano saxophones),
Wynton (trumpet), Delfeayo (trombone) and Jason (drums) - along with bassist Roland
Guerin and a special guest appearance by Harry Connick Jr.
Over the years, many attempts have been made to bring this illustrious family together. It was not until August 4, 2001 that schedules and the alignment of the stars allowed the Marsalises to join forces on one bandstand. The occasion was a concert marking Ellis’ retirement from teaching duties at the University of New Orleans, and the school’s establishment of a chair in his name. Before a packed house in the Kiefer UNO Lakefront Arena, the Marsalis family members were so inspired by each other’s
presence that, as Delfeayo puts it; the performance ʺreflected our family collectively and individually.ʺ
The center of attention is Ellis, the brilliant pianist, composer and educator who
spawned both a family of jazz giants and (through his example and his teaching)
several generations of young and influential jazz artists.
But Ellis is not the only family member who shines on The Marsalis Family: A Jazz
Celebration. Youngest son Jason provides sympathetic percussive support throughout,
stepping forward with a subtle, lyrical drum solo on the trio feature ʺThe Surrey with
the Fringe on Top.ʺ Delfeayo’s trombone is featured in a limber nod to Duke Ellington
and Ellington trombonist Tyree Glenn on ʺSultry Serenade.ʺ Branford and Wynton turn
Branford’s blues ʺCain and Abelʺ into a hearty, heated two-part invention. And all four
brothers, plus stalwart bassist Roland Guerin, join their father on four tracks, including a salute to Louis Armstrong on ʺStruttin’ with Some Barbecue.ʺ
Also performing at the concert and included on the CD is one of Ellis’ most illustrious
students, Harry Connick, Jr. Connick performs ʺSt. James Infirmaryʺ with trombonist
Lucien Barbarin and joins Ellis and sons for the spirited ʺTwelve’s It.ʺ
Branford Marsalis sums up the results by noting that ʺEverybody came to play the
music as well as they possibly could play it.ʺ The spirited results, by turns fiercely
swinging and deeply lyrical, confirm that the company and the occasion elevated each
family member to new levels of eloquence.
The
Marsalis Family - Music Redeems
On August 24, 2010, Marsalis Music and Redeye Distribution will release a
rare, new album by New Orleans’ own, The Marsalis Family, recently honored by
the National Endowment for the Arts with a 2011 Jazz Masters Award Fellowship.
All proceeds from the project will go straight to programming support for the
Ellis Marsalis Center for Music, an education center and heart of the New
Orleans Musicians’ Village community, conceived in 2005 by Branford Marsalis
and Harry Connick Jr. in partnership with New Orleans Habitat for Humanity
following Hurricane Katrina.
One of the most famous of New Orleans’ multigenerational jazz families, it
is extraordinarily rare for the Marsalis clan to assemble all together in one
place. However, approaching Father’s Day of 2009, the family gathered at the
Kennedy Center in Washington, D.C., to honor its patriarch and the Duke
Ellington Jazz Festival’s Lifetime Achievement Award recipient, Ellis Marsalis.
With sons Branford on saxophones, Wynton on trumpet, Delfeayo on trombone, Jason
on drums, poet Ellis III reciting a piece written especially for his father for
the occasion, and special guests Dr. Billy Taylor and family friend Harry
Connick, Jr., Ellis inspired an evening of lively performances of repertoire
with special meaning to the Marsalis Family, punctuated by family stories and
anecdotes about growing up in New Orleans.
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